Archive for the ‘cgi/vfx/di’ Category

dcinput daily for Fri 5th May, 2006

Friday, May 5th, 2006

Computer Graphics World: “TruePlay works online to allow multiple participants to join the same 3D space. It can also be used in conjunction with trueSpace7, Caligari’s flagship real-time collaborative 3D authoring technology, to allow participants to not only view and share information, but also to create, manipulate, and edit 3D objects in real-time within the shared virtual workspace”.

If the current trend with massively parallel multiplayer online games such as Second Life, Entropia and World of War Craft continues then being able to collaborate in 3D space over the internet is going to be huge. Currently in these virtual worlds it is the programmers that rule, and often make all the money. Imagine what will happen when VFX artists start venturing in there. I’m sure there is lots of money to be made.

Paint brushAdam Curry is looking for “animators, scripters and people involved in machinima” to work with him on making some cool stuff for second life. Sounds like its for money too. I heard this on Thursday’s DSC while on my way out to the final day of my Redhat course in Guilford (after I’d written the previous two paragraphs..funny how things go). Sounds interesting to me. I can think of quite a few great people who might be interested.

dcinput daily for Thu 27th April, 2006

Thursday, April 27th, 2006

RedSteve Gibby interviews Jim Jannard founder and chairman of Oakley and RED Digital Cinema about their new digital video camera called simply RED. The camera has been hotly anticipated. It can shoot at 2540p, 4K, 2K, 1080p and 720p.

Mike Curtis gives his thoughts on why this camera exists.

So if you can have a completely digital pipeline from capture to display what’s going to happen to digital intermediate companies? Are they going to have to some up with a new name for what they do?

This evening I’ll be at the CFX Short Film Awards. Looking forward to it.

dcinput daily for Wed 26th April, 2006

Wednesday, April 26th, 2006

Bre PettisBre Pettis is officially a Rocketboom correspondant. Bre used to work for the Creature Shop here in London way before I did but we ended up meeting by chance over the interweb after the Shop closed down. When he came to London with his lovely girlfriend we met up with Kosso and Joe Twist whom I had by chance met previously. Bre is such an awesome guy and is one of the best video bloggers out there. I’m really happy for him!

Mark Nelson: “The use of the JPEG format is becoming so mired in patent snarls that it is quickly becoming an albatross around the necks of any companies doing imaging”.

Mark is worried about people developing things around standards such as JPEG-2000. I don’t know enough about what he’s talking about but something to keep an eye on considering the DCI adoption of the format as its standard.

Lots of interesting digital cinema things happening at NAB. I’d love to be posting about them but I’m just too busy at work. Great coverage over at Digital Cinema Matters. Also daily podcasts from fxguide.

Graduation hatfxguide have anounced their fxphd beta, a sort of online university specifically geared towards the visual effects industry. After registration you become a post grad and attend 3 courses a term of which there are 4 a year. There is a background fundamentals which is compulsory and then you can choose from many courses covering a wide variety of subjects: Toxic, After Effects, Shake, Final Cut Pro, Avid Express etc. You receive one 30 mins training video per week for each course.

“As you work through the video your professor is online to answer questions and guide you. There are practical files to download from real shots and projects- you can then compare your results with the final.
AND running along side fxphd is Creative Jobs Network recuitment - as you develop your reel and portfolio you have direct access to senior post recuiters the world over.”

Another interesting thing about it is that they are distributing the course material using Bit Torrent. It’s great to see some legal uses for this great technology and even better to see people actually trying to make money with it. Another Next Step for Bit Torrent. Class enrollement beguins 1st of May. It may be time to get a new pencil case.

One thing I note is that there do not seem to be any courses covering the more technical/engineering aspects of the industry. The sort of infrastructures that are required to support all the fabulous work that digial artists do are specialist and highly complex. Workflows and their implementation within a company and the management of enormous quantities of data are all very important aspects of the VFX world. It can be hard to find good people with the right skills for these roles.

Digitaler Film has an interesting flash movie thingy of how digital distribution works. It’s in German so no real clue as to what the guy is saying but liking the demo anyway. Here is his site through Google translate.

AvidAvid anounce Avid Interplay: “The world’s first nonlinear workflow engine that fuses integrated asset management, workflow automation, and security control into a single system, delivering a business-wide workflow for postproduction and broadcast settings of any size”. It looks seriously cool. The real question is how well it integrates with 3rd party software. If you end up getting locked into Avid products it wouldn’t be so good.

dcinput daily for Sun 9th April, 2006

Sunday, April 9th, 2006

Frank Gruber analyses the various services that sell online music on TechCrunch in a two part piece. In this first piece he compares pay-per-download services. The next part will look at all you can eat subscription services. The outlook is heavy DRM and an AAC/WMA format war which is bound to end in tears for us users.

Dave Winer: “Instead of thinking of “user generated content” think of the Internet as an idea processor, and you’ll be much closer to the power of what’s going on”.

I’m always looking for different ways of looking at the internet and I like this one. Depending on who you are and what you do the internet can seem like very different things, and it changes over time.

When I first started going online in the early nineties I was pretty impressed but I soon got bored as I realised that really the internet was just a glorified catalogue. Websites were static and they just tended to show you things. You couldn’t really interact. I’m sure there were interesting things going on in the web then but I just wasn’t aware of them.

The web today is a very different place. People of all walks of life all around the globe are able to interact in so many different ways, share things, create things, do business and more. Its incredible that the web has so far met everyone’s needs. The pace of change is accelerating rapidly and the boundaries of what the web is are being pushed in ever more directions. The whole net neutrality issue is somehow related to this. Will the web continue to evolve as something for everyone? It’s an important question.Cartoon clouds

The web as storage in the clouds: Amazon S3 - Simple Storage Services.

Great audio interview by Dr Jobbs with Amazon’s Adam Selipsky about the new S3 service. I’m starting to see the big deal with this thing. I’m also starting to get some really good ideas for new projects. When you don’t have to worry about storage things could get a lot more fun for developers.

Looks like the Da Vinci Code will get released after all as Dan Brown wins his case at the High Court in the UK. Any publicity is good publicity.
NYTimes: “The authors of ‘Holy Blood’, Michael Baigent and Richard Leigh, had failed in their effort to prove that Mr. Brown had stolen their ‘central theme’ because they could not accurately state what that theme was”.

Rushi has compiled a great list of links for AJAX newbies and its kind of geared towards PHP programmers. Just what I was looking for.

Techdirt: Universal Pictures are trying to beat dvd counterfeiters at their own game in Russia by selling “cheap ‘n early” dvds at lower cost and quality.

Puss in bootsI missed this post on Cinematical last weekend about the upcomming Shrek spin off “Puss in Boots”. I had wondered what had happened to this idea. While I was working at the Creature Shop last year I had a load of fun doing some motion capture tests for this. Due to the fact that cats have weird back legs that bend the wrong way, the physical department, which built the animatronics, had made a special Puss in Boots exoskeleton that a human wore and to which the motion capture sensors were attached. In this way the motion data that was captured would look like it was from a walking cat.

Honey monsterI ended up doing the initial testing for the exoskeleton as I was about the right size and had to prance about the studio with a pretend sword. When it came down to the actual motion capture shoot they got someone else in but I did get to try on the Honey Monster outfit that day too. Brings back such good memories.

Complete coincidence but I’m going to a reunion lunch of the Creature Shop engineering team tomorrow which should be interesting. Damn it’s such a shame that the place closed down.

BBC News: “Hundreds of thousands of people have signed up for new .eu domain name since it became available to the public on Friday”. Damn it some person with my name got the one I wanted. Imposter!

BBC News: “Digital download-to-own is the new holy grail of the film and TV industry as it fights to respond to the twin challenges of piracy and new market entrants”…”However, the consumer must be at the centre of all new strategies and DRM systems that are not sufficiently flexible are doomed to failure”.

dcinput daily for Sat 8th April, 2006

Saturday, April 8th, 2006

Autodesk ToxikComputer Graphics World: “This week, Autodesk launched Autodesk Toxik 2007, the latest version of its collaborative digital compositing software for feature film production”.

The interactive overview of Toxik on Autodesk’s website is pretty cool. You can really get an idea of what the product can offer through the tutorials and demonstrations. Having experienced the world of pain you can get into working on projects where not enough attention has been payed to data management and workflow, I was particluarly impressed with the automation, data tracking and collaborative framework that the software offers.

Collaboration and versioning is implemented using a publishing model which sits ontop of an Oracle relational database. I’ve worked in facitlies with a publishing model built into the infrastrure and it sure makes life a lot easier.

I’ve also heard that they are going to release a 64-bit version on Linux, though I couldn’t find this info anywhere in the specs. I’ve been looking for a 64-bit compositing application for a while now. With a filesystem thats well over 100 Terabytes you really need to be running a 64bit OS just to be able to address it and get maximum performance from 64bit render nodes.

Computer Graphics World has an RSS feed…cool! I wish other vfx and digital cinema sites would get with the program and do the same thing. It makes my life sooooo much easier.

CNet News: “Video upload site YouTube.com has received $8 million in funding from venture capital firm Sequoia Capital”. Still no obvious business model though.

Michael Thompson: “I’ve been doing storage here for six years, and I’ve found that people will use up whatever you put out there. We’ll probably be buying more disks this year”.  I know that feeling. Interesting article about ILM’s computer infrastructure. If you’re into that sort of thing!

The Robomule

Tuesday, March 7th, 2006

RobomuleYouTube is very rapidly becoming my favorite site on the internet. There is simply so much wonderful stuff there. The Robomule is both amazing and a little scary. Its incredible that it just knows how to walk around, however it just looks wrong. Funny how I just watched iRobot for the first time over the weekend. Hey this might be closer than we think!

The Creature Shop Catacombs Project

Monday, July 11th, 2005
The Creature Shop Catacombs Project

In June 2005, 3 vfx programmers disappeared in the catacombs of Jim Henson’s Creature Shop, London UK while taking pictures they were to later post on their blogs.

27 days later their pictures were found.
Motorola V3 Razor
Some fancy welsh camera

Tags: london, vfx, film, animation, cgi